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Morton and Jankel say, yes indeed, they did have different plans for Max. I don’t think any of us had a conception that it would rise as high as it has gone.” In a way, Max’s success has worked against them. Rocky and Annabel became very frustrated. Peter Wagg wanted to maximize the sales potential of what he had. Rocky and Annabel wanted to propose some very adventurous things. So everybody had ideas of where to go from there.
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“That first film and series were so special. They must wish from time to time that they’re in it instead of out of it. Also: “Some jealousy on Rocky and Annabel’s part, I think, over the success that Chrysalis has had. There was jealousy of Morton’s and Jankel’s talents on the side of Chrysalis people, he believes. Morton and Jankel have been in Los Angeles lately, developing and casting a new film that has absolutely nothing to do with “Max Headroom.” Though the directors did not want to divulge the picture’s title or plot, they did say the plot was about jealousy.Īndy Park, reached at his current office with BBC in Glasgow, thought that might be apt. But what happened to Stone, Morton and Jankel? Now Max is a star! Wagg is still with him. It took Chrysalis some time to come up with the financing (gained, finally, when HBO bought in for the right to show the film and series on its Cinemax cable outlet in the United States) and for Morton and Jankel to work out the details of the film, which they’d been assigned to direct.įinally, in late ’83 through early ’84, the film and series were made-and shown on Channel Four and Cinemax (in ’85). Park wanted to know more about this character, and became so fascinated with the background story created by Stone, Morton and Jankel that he then insisted Chrysalis make a “Max” film for Channel Four, in addition to the series.
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Stone came up with the idea for a character named Max Headroom, and Morton and Jankel fleshed it out a bit.
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Wagg also admired the clever TV commercials and music videos made by Morton and Jankel at their animation-oriented Cucumber Studios, and brought the couple in on the project. Wagg, who’d employed advertising copywriter Stone on various projects before, asked him for a few ideas for this video linking device. Park’s friend at Chrysalis was Peter Wagg, who had produced some rock videos for his company. But instead of an MTV-like veejay, Park wanted something unusual to bridge the gap between video clips. One of Channel Four’s “commissioning editors,” Andy Park, asked a friend at Chrysalis Visual Programming to come up with a concept for a music-video show. In late 1981, a new London television station, Channel Four, was looking for novel programs. The three Britishers have been out of the Max Headroom story for a while, but they were there at the beginning. George Stone, Annabel Jankel and Rocky Morton claim they invented Max, even though they’re not listed in the ABC credits.
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Headroom the nod for fall.Īmid Max’s current glory, however, three people say their contributions to his success have been nearly forgotten. And even though the ratings haven’t been to the max, the network may give Mr.
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His six-week spring trial run on ABC is wrapping up tonight at 10 p.m. The ultimate talking head, Max is also well on his way to becoming-just m-m-m-m-maybe-the ultimate TV star of the ‘80s. And right now Coke’s hoping the head-and-shoulders humanoid can take a sarcastic bite out of a competitor Max calls “the P-word.” Like Orwell’s Big Brother, Max Headroom seems to be everywhere-in his own ABC prime-time show, two books, a rock video. Has Max left them behind on his road to fame and fortune? But these three-George Stone, Annabel Jankel and Rocky Morton-aren’t even listed in the show’s credits. Who made Max Headroom? Three people say they were mainly responsible for creating everybody’sfavorite television talking head, as well as many of the other characters and situations seen in ABC’s “Max Headroom” series.